| Title | : | Masterclass Barry Jenkins |
| Duration | : | 01:17:34 |
| Viewed | : | 0 |
| Published | : | 10-02-2017 |
| Source | : | Youtube |
0:00 Introduction
5:37 Between your earlier work and “Moonlight” you seem to have taken a huge leap, what happened?
8:48 What was your first short film?
9:40 What was the transition from short film to feature-length film like?
12:30 What made you go to film school?
14:23 What was the first thing that you learned about film?
18:47 How did your gap year turn out for you?
21:03 Were you sure about your skills after your gap year?
26:23 Why is the book “In a Blink of an Eye” so important to you?
29:56 What was the process of editing “Moonlight” like?
31:32 What was the collaboration between you and your editors like?
33:51 Can you explain how you came about your vision for “Moonlight” with your cinematographer?
40:38 Did you make this film with the intention of it being universal?
43:14 Did your personal heterosexual identity not interfere with the homosexual perspective this film is shot from?
47:23 Q&A What was it like working with actors and non-actors?
51:33 Q&A Can you elaborate on the use of color in “Moonlight”?
55:17 Q&A Can you talk about your collaboration with Tarell Alvin McCraney and your relation to the film?
58:06 Q&A Why did you decide to film in an anamorphic format?
1:00:12 Q&A What was the budget, do you know any Dutch films and how many shots did you take?
1:02:29 Q&A How do you surround yourself with a good group to collaborate with?
1:04:46 Q&A Can you explain your choice of music in the film?
1:08:48 Q&A How do you keep intimacy, sensitivity and authenticity in your work?
1:09:48 Q&A How did you manage to get noticed with “Medicine for Melancholy”?
1:13:32 Q&A To what extent were you able to keep your voice creating “Moonlight”?
1:15:58 Closing
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